![]() □ If you’d like to get feedback on your ricochet stroke, make sure to submit your video via this form ( Julia’s Violin Academy members only). This specific variation of the stroke doesn’t require wrist movement, since the bow will bounce on one string once, then rebound on the next string naturally, with your arm movement. By definition, a dot coming after a note. If the notes go through all four strings (imagine arpeggios going across the violin strings in one hand position), you can move your upper arm somewhat like a wing. The difference between an up-bow staccato and a ricochet in music notation is the way in which the notes are played. If the ricochet notes are all on one string, keep your upper right arm still, but not stiff. The different weight and distance from your right hand change the speed at which the bow bounces off the string. For slower ricochet sections, play in the middle of the bow. Choose the upper or lower half of the bow depending on the desired speedįor very fast notes, plan to play in the upper half of the bow.Sometimes the col legno technique requires long bowing, just as if you were. You turn your bow upside down and play using the wood or carbon fiber composite side of the bow. ![]() Ricochet in Reverse, from the album Vaude. A direct translation of this Italian term means, with wood, and is played as such. Ricochet in Reverse is an English language song and is sung by Jamie Dewolf. Let the bow bounce naturally controlling it and trying to force it to do exactly what you want hardly ever produces the desired effect.Ī good contact point helps too: keep the bow about halfway between the bridge and the end of the fingerboard to achieve a quality sound. Another surprising bow technique is col legno. Keep the bow hair flat (with the bow stick facing straight up) to help the ricochet notes sound even. ![]()
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